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Cine
Today Blackmagic dropped and insane update for DaVinci Resolve adding 32K resolution support.
Heres whats new in 20.3:
Up to 32K resolution support with Apple M5 processors.
Improved performance for Resolve FX Noise Reduction.
Timeline backups now allow named snapshots for versioning.
Support for adding metadata fields as media pool bin columns.
Media Pool metadata ALE import and export support.
Option to create custom metadata for unknown fields on import.
Exported metadata files now include custom metadata fields.
Media pool views and state are now retained for each project.
Edit menu action to insert gap at playhead.
New assignable key shortcut in media pool to start a search.
Assignable key shortcut for open in timeline with source viewer.
Speed change and duration change actions now follow sync lock.
Added 2.39 and 2.40 broadcast safe aspect ratios.
Alpha support for film look creator, film damage and analog damage.
Support for IMF workflow for HDR Vivid and Audio Vivid.
Ability to embed HDR10+ metadata in QuickTime and MP4 encodes.
Ability to set stereoscopic mode in clip attributes for MXF clips.
Improved match frame behavior for clips with negative speeds.
Addressed missing clip actions in subtitle caption context menu.
Addressed intermittent lag when using stacked timelines.
Addressed source timeline not restored when switching back to edit.
Addressed issue tracking with high-quality deinterlace in Fusion.
Addressed issue with immersive world pose if using Fusion tools.
Addressed issue loading some deep OpenEXR files.
Addressed decode issues with compressed ARW clips.
Addressed AI Music Remixer muting audio on macOS 26.1.
Addressed possible QuickTime decode hang on Windows.
Addressed Remote Monitor start up issue on Windows.
General performance and stability improvements.
Note: Starting from DaVinci Resolve 20.3, OpenCL mode for GPU processing is no longer supported on macOS.
Minimum system requirements for Mac OS
macOS 14 Sonoma or later.
8 GB of system memory or 16 GB when using Fusion.
For monitoring, Blackmagic Design Desktop Video 12.9 or later.
Apple Silicon based computer or GPU which supports Metal.
Minimum system requirements for Windows
Windows 10 Creators Update.
16 GB of system memory or 32 GB when using Fusion.
For monitoring, Blackmagic Design Desktop Video 12.9 or later.
Integrated GPU or discrete GPU with at least 4 GB of VRAM.
GPU which supports OpenCL 1.2 or CUDA 12.8.
AMD/Intel official drivers from your GPU manufacturer.
NVIDIA Studio driver 570.65 or newer.
Minimum system requirements for Windows for Arm
Windows 11 for ARM.
Qualcomm Snapdragon X Elite series processor.
16 GB of system memory or 32 GB for 4K or when using Fusion.
Minimum system requirements for Linux
Rocky Linux 8.6.
32 GB of system memory.
For monitoring, Blackmagic Design Desktop Video 12.9 or later.
Discrete GPU with at least 4 GB of VRAM.
GPU which supports OpenCL 1.2 or CUDA 12.8.
AMD official drivers from your GPU manufacturer.
NVIDIA Studio driver 570.26 or newer.
Additional Information
You will also need to download and install the latest Blackmagic Design Desktop Video software for monitoring with your Blackmagic Design video hardware. Desktop Video is available from www.blackmagicdesign.com/support.
1 month ago | [YT] | 2
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Cine
Im about to buy a new camera, which do you think I should get? Vote and comment why....
2 months ago | [YT] | 3
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Cine
You'll know I LOVE me some crazy good camera accessories and cages and this looks awesome.
Bright Tangerine has unveiled its new Fujifilm GFX ETERNA kits with accessories. Theres five kits for different shooting scenarios, with a range of rigging options included. The kits are scheduled to release mid November 2025. Bundle me some love.
1. The base kit.
2. Advanced Doco kit
3. Advanced CINE kit
4. Expert Studio kit
5. Expert Broadcast kit.
The kits range in price from 399 - 2749 USD and can be found @BrightTangerine
2 months ago | [YT] | 2
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Cine
NIKON Announces the ZR– An R3D enabled mirrorless camera.
Well it finally happened. The first love child of Red and Nikon has been born. Heres some cool videos:
https://www.youtube.com/watch?v=MvseC...
https://www.youtube.com/watch?v=zHczB...
https://www.youtube.com/watch?v=QYtXi...
https://www.youtube.com/watch?v=PhfSQ...
The ZR's KEY FEATURES:
Fusion of RED + Nikon Cinema Technology
6K Full-Frame Z-Mount Cinema Camera
REDCODE RAW R3D + N-RAW Recording
ProRes RAW/HQ, H.265/H.264 Codecs
32-Bit Float Audio, Dual-Base ISO
Bright, Folding 4″ DCI-P3 Display
Built-In 3D LUTs, Digital Accessory Shoe
Dual Built-In Microphones
15+ Stops Advertised Dynamic Range
Frame.io Cloud Integration
The NIKON ZR can record in the following codecs:
6K REDCODE RAW (R3D NE) / 12-bit
NIKON N-RAW / 12-bit
ProRes RAW HQ
ProRes 422 HQ
H.265 / 10-bit / 8-bit
H.264 / 8-bit
The NIKON ZR has a 24.5 MP 35.9mm x 23.9mm Full-Frame CMOS sensor with EXPEED 7 image-processing engine, thats the same one found in the Z9.
I believe this is the same 24.5MP Partially-Stacked CMOS Sensor that is found in the Z6 III and is most likely why the ZR has a good readout with reduced rolling shutter.
The big talking points os far seem to be the larger flip out screen, micro HDMI, poor memory card placement and overheating issues. But the footage is looking great.
Have to wait and see how this camera evolves in the coming months. But one thing is for sure, at the price point with ZRAW, ProRes RAW and R3D for sub 3k, its hard to beat. Black magic instantly dropped the price of the Pyxis 6k to 2495 USD, but why would you get that over this.....?
4 months ago | [YT] | 0
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Cine
Blackmagic design continues to impress at IBC 2025 with another impressive update with Blackmagic camera App 3.0.
Support for syncing clips from remote cameras to the controller, plus quick tap access to presets, slate, and camera controls, and three programmable function buttons have been added.
Blackmagic Camera 3.0 New Features:
Support for remote syncing clips from phone to controller.
Reorganised navigation toolbar and ordering.
Tap left for quick access to presets, slate and camera controls.
Tap right for quick access to three programmable functions.
Single lens and zoom control with additional dolly zoom options.
FPS controls now include off speed and time lapse options.
New camera light controls under exposure and focus.
Histograms can now be expanded to fill preview.
Built in LUT support for Apple Log, Rec.709, Rec.2020 and P3 D65.
New HUD controls to switch LUTs and record with LUTs.
Support for recording in open gate resolution.
New 2.0 anamorphic de-squeeze option.
Support for auto exposure controls in auto mode.
General performance and stability improvements.
4 months ago | [YT] | 7
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Cine
HELL HAS FINALLY FROZEN OVER! - DaVinci Resolve 20.2 adds ProRes RAW support.
This has been a long time coming and today Blackmagic Design has finally caved and announced DaVinci Resolve 20.2, which adds supports for ProRes RAW decoding natively. Additionally, the Pocket Cinema Camera 4K can now record in ProRes RAW, thats MASSIVE.
Heres the list of software upgrades:
URSA Cine Immersive Workflow
Streaming from Fusion page to Vision Pro.
Support for immersive option in PanoMap.
Support for immersive world pose rotations and flips.
Render stereoscopic 3D as full side by side or top-bottom.
Node stack support for stereoscopic 3D workflows.
Support for immersive EXR workflows.
Cut Page
Improved replay stinger transition handling in interlaced timelines.
Improved replay editor and ATEM switcher feedback cueing replays.
Edit Page
Sync lock controls ripple edit independently from auto select.
Improved ripple trimming now preserves sync for edit actions.
The trim editor now automatically displays when dynamic trimming.
User preference to switch to single viewer mode for trim editor.
Improved source and destination patching in the track header.
Timeline audio menu action to detach synced audio from video.
Support for adding and populating custom metadata fields.
Support for flattening multicam clips with speed changes.
Audio track solo support for the source timeline viewer.
Source track destination sub menu action to reset to default state.
Cut & Edit page:
Menu actions to move selected keyframes up down left and right.
Curve and keyframe editor in timeline now includes actions toolbar.
Shift click keyframe editor headers to toggle multiple parameters.
Alt click keyframe editor headers to toggle parameters exclusively.
Guides support individual colors and lock states.
Switch between pixel and percentage when adding or editing guides.
Mouse priority for Fusion, transform and effect overlays over guides.
Voice over countdowns now support audible beeps.
Editing now preserves audio bus automation.
Option to ripple delete silence for selected clip.
Up to 2x faster transcriptions on macOS.
Up to 2x faster voice convert analysis on macOS.
Fusion page:
Support for editing custom guides in Fusion viewers.
Improved MultiText alignment and transformation controls.
Support for animated image inputs for USD tools.
Multilayer support for 3d renderer.
Multilayer AoV channel support for USD renderer.
Up to 2x faster surface tracker performance.
Color page:
New AI based Resolve FX Cinematic Haze.
Resolve FX light effects support glow from alpha sources.
Menu action to navigate clips using clip number.
Ability to reset node color for multiple selected clips.
Advanced color panels persist side panel states after restart.
Improved HLG viewer output when using viewer display profiles.
RCM and CST now use ITU BT.2408 for HLG and PQ conversion.
Up to 2x faster Resolve FX surface tracker performance.
Fairlight page:
Project settings option to disable soft fades between clip edits.
Project settings option to set ramp-to-play time.
Codecs & I/O:
Support for decoding Apple ProRes RAW clips.
Support for encoding Samsung APV clips.
Support for decoding Sony ARW images.
Support for ARRICORE clips.
Single frame webp and gif clips are now imported as stills.
General Improvements:
Press and hold C key to skim playhead on viewers.
Exported DRT timelines now include linked Fusion comp media.
Support for current date and time tags in data burn and render.
Scripting API support for adding subtitles in render jobs.
Scripting API support for setting timeline and media pool clip name.
General performance and stability improvements.
As a MAC user, I think I will experiment with switching over to a FULL ProRES RAW workflow, how about you?
4 months ago | [YT] | 2
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Cine
CHANNEL UPDATE:
The CINE channel is under music copyright attack. Every AUDIIO MUSIC track used is being claimed by 3rd parties. I will therefore no longer be using music on my channel videos. I just don't need the grief of trying to navigate Youtube ridiculous copyright system, that continuously rewards fake claimants. @YouTube Even @artlist_io has claimed copyright on music purchased from AUDIIO and is claiming 100% of original content monetisation. This automated system is clearly broken and is why I wont be using music in any further video.
4 months ago (edited) | [YT] | 14
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Cine
To thank you all for the support, dropping a cheeky comment on any of our videos could WIN you a Colbor CF5 Micro Fogger. Details at the end of the video.... the random winner to be announced on 6th of September 2025.
5 months ago (edited) | [YT] | 0
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Cine
If you don't own copy of Blackmagic Design's DaVinci Resolve Studio, the activation cards are now on sale for $175 USD at Band H photo.
Here's a non affiliate sale link, which is only available until tomorrow: www.bhphotovideo.com/c/product/1366318-REG/blackma…
10 months ago | [YT] | 3
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Cine
Yesterday's news that Nikon has now eliminated Red's V-Ratopr and Komodo cameras in Canon RF mount, was predictable to say the least. But with so many more capable and much cheaper large format camera options now on the market, I find it hard to understand why, the switch to Nikon mount is the only upgrade offered. No improved NIKON AF. Just a lens mount and some adapters. Perhaps this is just a way of clearing stock before NAB 2025, where I think Nikon / Red will launch something that will excite everyone. Maybe I'm off base, let me know what you think. Fascinating times.....
10 months ago | [YT] | 2
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