đ ON THIS DAY: Recording: Oh! Darling, Come Together, The End (1969)
Studio Three, EMI Studios, Abbey Road Producer: George Martin Engineers: Geoff Emerick, Phil McDonald
This dayâs session began with Paul McCartney finally recording the lead vocals for âOh! Darlingâ.
McCartney had been arriving at the studio early each day for several mid-July 1969 sessions, in an attempt to capture a suitably raw take. He taped just one performance on each day before setting âOh! Darlingâ aside for another day. On this afternoon, however, the final attempt was recorded.
More vocals were then added to âCome Togetherâ, before work began on âThe Endâ, which at this stage had the working title âEndingâ.
The Beatles began by rehearsing the song a number of times, before recording seven takes of the backing track. The best, take seven, was 1â20â long, but was later extended by editing and repeating part of the section which later contained the sparring guitar solos.
After take seven, the tape contains outtakes numbered 23-33. These were likely to have been rehearsals, the early ones of which were recorded over with the proper takes.
Ringo Starrâs drums were recorded on tracks one and two of the eight-track tape, which later allowed them to be mixed in stereo; John Lennonâs rhythm guitar was on track three; George Harrisonâs guitar was on four; and Paul McCartneyâs bass guitar was on five.
The recording of âEndingâ ended at the point where the piano later entered; the final words and orchestral finale were recorded later. Take three from this first session can be heard on some formats of the 50th anniversary reissue of Abbey Road.
The day ended with an hour-long playback of songs recorded so far, held in the control room of Studio Two.
đ ON THIS DAY: John and Paul sing on The Rolling Stonesâ We Love You (1967)
John Lennon and Paul McCartney attended a Rolling Stones recording session at Olympic Studios on this day, where they contributed backing vocals, handclaps and percussion (tambourine and maracas respectively) to the song âWe Love Youâ.
The song was written as a token of appreciation to the fans who stood by the Stones in the wake of their drugs busts, and was also an ironic commentary on the authorities.
Beat poet Allen Ginsberg had been in London for a pro-marijuana rally at Hyde Park, and met Mick Jagger at Paul McCartneyâs house. Jagger invited Ginsberg, Lennon and McCartney to the session that night, although Ginsberg did not perform. âThey looked like little angels,â he later wrote of the groups, âlike Botticelli Graces singing together for the first time.â
đ ON THIS DAY: Recording: Cry Baby Cry, Helter Skelter (1968)
Studio Two, EMI Studios, Abbey Road Producer: George Martin Engineer: Ken Scott
The Beatles completed the recording of âCry Baby Cryâ during this dayâs two sessions, and also began work on âHelter Skelterâ.
The first session began at 2.30pm and lasted seven hours. Just one track was spare on the four-track tape, so The Beatles filled it with a number of simultaneous recordings. John Lennon redid his lead vocals in the verses, with harmonies by Paul McCartney in places; George Martin played a descending harmonium part in the introduction; Ringo Starr shook a tambourine; and George Harrison added electric guitar and tea party effects were made during the âDuchess of Kirkcaldyâ verse.
âCry Baby Cryâ was transferred to eight-track tape on 17 September 1968, but no further music was added.
The dayâs second session began at 10.30pm and ended at 3.30am. The Beatles recorded three takes of âHelter Skelterâ, which were essentially rehearsals; they lasted 10â40â, 12â35â and 27â11â respectively.
The last was the longest recording in the groupâs career. An edited mix of take two, meanwhile, was released on 1996âs Anthology 3.
John Lennonâs mother Julia died on 15 July 1958.
From 1946 John had lived with his Aunt Mimi (Mary Smith) and Uncle George in their house, âMendipsâ, at 251 Menlove Avenue, Liverpool, after Julia had handed over care of her son to them.
Despite the living arrangements, Julia came to see John almost every day. In 1957 she bought him his first guitar, a cheap Gallotone Champion acoustic âguaranteed not to splitâ. Julia shared Johnâs love of rock and roll music, despite Mimiâs disapproval, and saw her son playing in the Quarrymen.
đ ON THIS DAY: Recording: In Spite Of All The Danger, Thatâll Be The Day (1958)
The Quarrymen recorded two songs at Phillips Sound Recording Services, a home studio in Liverpool, on 12 July 1958. It was the first recording session featuring John Lennon, Paul McCartney and George Harrison.
The studio was owned and run by Percy F Phillips, and was based in the living room of his home at 38 Kensington, a Victorian terraced house.
The Quarrymen recorded âIn Spite Of All The Dangerâ and a version of Buddy Hollyâs âThatâll Be The Dayâ. The former was credited to McCartney-Harrison, with Lennon on lead vocals.
"It says on the label that it was me and George but I think it was actually written by me, and George played the guitar solo! We were mates and nobody was into copyrights and publishing, nobody understood â we actually used to think when we came down to London that songs belonged to everyone. Iâve said this a few times but itâs true, we really thought they just were in the air, and that you couldnât actually own one. So you can imagine the publishers saw us coming! âWelcome boys, sit down. Thatâs what you think, is it?â So thatâs what we used to do in those days â and because George did the solo we figured that he âwroteâ the solo." â Paul McCartney
Beatles Bible
đ ON THIS DAY: Recording: Oh! Darling, Come Together, The End (1969)
Studio Three, EMI Studios, Abbey Road
Producer: George Martin
Engineers: Geoff Emerick, Phil McDonald
This dayâs session began with Paul McCartney finally recording the lead vocals for âOh! Darlingâ.
McCartney had been arriving at the studio early each day for several mid-July 1969 sessions, in an attempt to capture a suitably raw take. He taped just one performance on each day before setting âOh! Darlingâ aside for another day. On this afternoon, however, the final attempt was recorded.
More vocals were then added to âCome Togetherâ, before work began on âThe Endâ, which at this stage had the working title âEndingâ.
The Beatles began by rehearsing the song a number of times, before recording seven takes of the backing track. The best, take seven, was 1â20â long, but was later extended by editing and repeating part of the section which later contained the sparring guitar solos.
After take seven, the tape contains outtakes numbered 23-33. These were likely to have been rehearsals, the early ones of which were recorded over with the proper takes.
Ringo Starrâs drums were recorded on tracks one and two of the eight-track tape, which later allowed them to be mixed in stereo; John Lennonâs rhythm guitar was on track three; George Harrisonâs guitar was on four; and Paul McCartneyâs bass guitar was on five.
The recording of âEndingâ ended at the point where the piano later entered; the final words and orchestral finale were recorded later. Take three from this first session can be heard on some formats of the 50th anniversary reissue of Abbey Road.
The day ended with an hour-long playback of songs recorded so far, held in the control room of Studio Two.
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đ ON THIS DAY: John and Paul sing on The Rolling Stonesâ We Love You (1967)
John Lennon and Paul McCartney attended a Rolling Stones recording session at Olympic Studios on this day, where they contributed backing vocals, handclaps and percussion (tambourine and maracas respectively) to the song âWe Love Youâ.
The song was written as a token of appreciation to the fans who stood by the Stones in the wake of their drugs busts, and was also an ironic commentary on the authorities.
Beat poet Allen Ginsberg had been in London for a pro-marijuana rally at Hyde Park, and met Mick Jagger at Paul McCartneyâs house. Jagger invited Ginsberg, Lennon and McCartney to the session that night, although Ginsberg did not perform. âThey looked like little angels,â he later wrote of the groups, âlike Botticelli Graces singing together for the first time.â
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đ ON THIS DAY: Recording: Cry Baby Cry, Helter Skelter (1968)
Studio Two, EMI Studios, Abbey Road
Producer: George Martin
Engineer: Ken Scott
The Beatles completed the recording of âCry Baby Cryâ during this dayâs two sessions, and also began work on âHelter Skelterâ.
The first session began at 2.30pm and lasted seven hours. Just one track was spare on the four-track tape, so The Beatles filled it with a number of simultaneous recordings. John Lennon redid his lead vocals in the verses, with harmonies by Paul McCartney in places; George Martin played a descending harmonium part in the introduction; Ringo Starr shook a tambourine; and George Harrison added electric guitar and tea party effects were made during the âDuchess of Kirkcaldyâ verse.
âCry Baby Cryâ was transferred to eight-track tape on 17 September 1968, but no further music was added.
The dayâs second session began at 10.30pm and ended at 3.30am. The Beatles recorded three takes of âHelter Skelterâ, which were essentially rehearsals; they lasted 10â40â, 12â35â and 27â11â respectively.
The last was the longest recording in the groupâs career. An edited mix of take two, meanwhile, was released on 1996âs Anthology 3.
Read the full article here: www.beatlesbible.com/1968/07/18/recording-cry-babyâŚ
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đ ON THIS DAY: Julia Lennon dies (1958)
John Lennonâs mother Julia died on 15 July 1958.
From 1946 John had lived with his Aunt Mimi (Mary Smith) and Uncle George in their house, âMendipsâ, at 251 Menlove Avenue, Liverpool, after Julia had handed over care of her son to them.
Despite the living arrangements, Julia came to see John almost every day. In 1957 she bought him his first guitar, a cheap Gallotone Champion acoustic âguaranteed not to splitâ. Julia shared Johnâs love of rock and roll music, despite Mimiâs disapproval, and saw her son playing in the Quarrymen.
Read the full article here: www.beatlesbible.com/1958/07/15/julia-lennon-dies/
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đ ON THIS DAY: Recording: In Spite Of All The Danger, Thatâll Be The Day (1958)
The Quarrymen recorded two songs at Phillips Sound Recording Services, a home studio in Liverpool, on 12 July 1958. It was the first recording session featuring John Lennon, Paul McCartney and George Harrison.
The studio was owned and run by Percy F Phillips, and was based in the living room of his home at 38 Kensington, a Victorian terraced house.
The Quarrymen recorded âIn Spite Of All The Dangerâ and a version of Buddy Hollyâs âThatâll Be The Dayâ. The former was credited to McCartney-Harrison, with Lennon on lead vocals.
"It says on the label that it was me and George but I think it was actually written by me, and George played the guitar solo! We were mates and nobody was into copyrights and publishing, nobody understood â we actually used to think when we came down to London that songs belonged to everyone. Iâve said this a few times but itâs true, we really thought they just were in the air, and that you couldnât actually own one. So you can imagine the publishers saw us coming! âWelcome boys, sit down. Thatâs what you think, is it?â So thatâs what we used to do in those days â and because George did the solo we figured that he âwroteâ the solo." â Paul McCartney
Read the full article here: www.beatlesbible.com/1958/07/12/recording-in-spiteâŚ
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