Soft Classics

26 जनवरी – गणतंत्र दिवस 🇮🇳

आज सिर्फ एक तारीख नहीं है,
आज भारत की आत्मा का उत्सव है।

आज के दिन हमारा संविधान जीवित हुआ—
सिर्फ काग़ज़ों पर लिखे शब्द नहीं,
बल्कि न्याय, स्वतंत्रता, समानता और बंधुत्व का वादा बनकर।

हम उन वीरों को नमन करते हैं
जिन्होंने एक ऐसे भारत का सपना देखा
जहाँ हर आवाज़ मायने रखती है।
हम उन सैनिकों को सलाम करते हैं
जो हमारी शांति के लिए अपनी नींद और अपने सपने कुर्बान कर देते हैं।

किसान, मज़दूर, शिक्षक, डॉक्टर—
हर वो इंसान जो चुपचाप देश को आगे बढ़ा रहा है,
आज उनका भी दिन है।

गणतंत्र दिवस हमें याद दिलाता है
कि भारत कुछ लोगों से नहीं,
बल्कि करोड़ों दिलों से बना है—
अलग-अलग भाषाएँ, धर्म और संस्कृतियाँ,
पर एक तिरंगा, एक पहचान।

आइए, आज सिर्फ़ झंडा न फहराएँ,
बल्कि उसके मूल्यों को भी अपने जीवन में अपनाएँ।

जय हिंद। वंदे मातरम्। 🇮🇳

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“पीता हूँ इस गरज़ से कि जीना है चार दिन” – Pankaj Udhas
“पीता हूँ इस गरज़ से कि जीना है चार दिन” is a classic Urdu ghazal rendered with deep sensitivity by Pankaj Udhas, one of the most celebrated ghazal singers of India. The ghazal reflects the timeless themes of life’s transience, existential reflection, and emotional survival, which are central to the ghazal tradition.

The central metaphor of drinking is not merely literal; it symbolizes a way of coping with the pain, disillusionment, and brevity of human life. The line suggests that life is fleeting—“चार दिन”—and the act of drinking becomes a response to the harsh realities and emotional burdens one carries. This blend of resignation and quiet defiance gives the ghazal its poignant depth.

Pankaj Udhas’s mellifluous voice, restrained expression, and classical training elevate the ghazal, allowing the listener to feel both the sorrow and dignity embedded in the verses. His rendition preserves the delicate balance of melancholy, reflection, and grace, making the ghazal resonate across generations.

Overall, the ghazal stands as a powerful example of how Urdu poetry uses simple language and strong imagery to explore profound truths about life, pain, and human endurance.

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आपको किस प्रकार के वीडियो देखना पसंद है:

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Raag Yaman: The Eternal Evening Raag of Indian Classical Music

Raag Yaman is one of the most popular, graceful, and widely taught raags in Hindustani classical music. Known for its soothing, devotional, and romantic mood, Raag Yaman is often the first raag introduced to students of classical music because of its structured yet expressive nature.

Origin and Thaat

Raag Yaman belongs to the Kalyan Thaat.
Its origins are believed to have evolved from Persian musical traditions, later deeply rooted in Indian classical music. Over centuries, it has become an essential raag in khayal, thumri, bhajan, ghazal, and instrumental performances.

Time of Performance

Raag Yaman is traditionally performed during the first quarter of the night, shortly after sunset.
Its serene and luminous character beautifully complements the calmness of the evening, making it ideal for meditation and introspection.

Swar (Notes) Structure

Raag Yaman is a Sampurna Raag, meaning it uses all seven notes in both ascent and descent.

Aaroh (Ascending):
Ni Re Ga Ma♯ Pa Dha Ni Sa’

Avaroh (Descending):
Sa’ Ni Dha Pa Ma♯ Ga Re Sa

👉 The defining feature of Raag Yaman is the use of Teevra Madhyam (Ma♯) instead of Shuddha Madhyam.

Vadi and Samvadi

Vadi Swar: Ga (Gandhar)

Samvadi Swar: Ni (Nishad)

These swars give Raag Yaman its emotional depth and melodic balance.

Mood and Expression (Rasa)

Raag Yaman evokes:

Peace and calmness

Devotion and spirituality

Romantic longing

Hope and positivity

It carries a divine glow, often associated with bhakti (devotion) and shringar rasa (romantic beauty).

Use in Devotional and Light Music

Raag Yaman is extensively used in:

Bhajans (especially Krishna and Ram bhajans)

Ghazals

Film songs

Instrumental alap and jod

Many famous Bollywood and devotional compositions are based on Raag Yaman, making it accessible even to non-classical listeners.

Raag Yaman in Instrumental Music

Instruments like sitar, flute (bansuri), sarod, violin, and santoor beautifully express Raag Yaman.
Slow alap followed by medium and fast compositions allows musicians to showcase both technical mastery and emotional depth.

Why Raag Yaman is Special

Ideal raag for beginners

Highly expressive yet disciplined

Universally appealing

Bridges classical, devotional, and modern music

Raag Yaman acts as a gateway into the vast world of Indian classical music.

Spiritual Significance

Raag Yaman is often associated with inner peace and divine contemplation. Listening to or practicing it regularly can help calm the mind and elevate spiritual awareness, which is why it is frequently used in evening prayers and meditation music.

Conclusion

Raag Yaman is not just a musical scale—it is an emotional experience. Its gentle phrases, luminous mood, and timeless beauty continue to enchant listeners across generations. Whether performed as a classical khayal, a soulful bhajan, or a soothing instrumental, Raag Yaman remains a cornerstone of Indian classical music.

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