As a filmmaker of short films, documentaries, and institutional films, I have always sought to twist forms, shift perspectives, and break boundaries.
Today, I am interested in artificial intelligence tools and explore how they can be integrated into a creative process, not as an end in itself, but as a true partner.

Far from the rhetoric of glorification or demonization, AI is neither a miracle nor a threat for me: it is a new playmate. A tool I am learning to tame, question, and push to its limits, in a spirit of collaboration.
My approach is not to replace actors or traditional filmmaking tools. I also do not use AI for efficiency, productivity, or cost-cutting purposes.

I explore surrealism, the fantastic, and the creative accident that becomes a resource. As in painting, sculpture, or music, mistakes become material.

My work with AI is a laboratory where I attempt to bypass censorship and algorithmic filters that limit imagination.