Kojo Abrah

My work is centred around private equity, national strategy, energy independence, and technological superiority.

The thesis? Attract Capital, Talent, and Alliances.

Directly and indirectly, I exist to make wealth flow to you, but you don't know it yet, and so, I will wait until you see it.

My concern is that you are not too late.

9 hours ago | [YT] | 0

Kojo Abrah

When I speak about private equity, it comes from a place of being part of a firm emphasizing private equity strategies for institutional and civilizational-scale challenges.

I delve into architect-level thinking in private equity, the shift from startups to enduring institutions, and empowering diaspora networks through ownership rather than aid.

This is why I coined frameworks like the Inevitability Equation:
(Doctrine + Framework + Civilization) × Infrastructure = Inevitability.

To guide power engineering in sectors like defense, energy, and manufacturing.

16 hours ago | [YT] | 1

Kojo Abrah

What do you think is the real reason Nigerian music went global?
Your vote reveals how you see African entertainment economics.

4 days ago | [YT] | 0

Kojo Abrah

Nigerian music didn’t go global because of talent.
It went global because of distribution.
Nigerians are everywhere, and diaspora is not migration.
It’s infrastructure.
South Africa builds depth.
Ghana builds culture.
Nigeria builds reach.
And in entertainment, reach is leverage.

4 days ago | [YT] | 0

Kojo Abrah

In African entertainment, which part of the value chain do you think holds the most leverage?

Your vote tells us how you see the future of African creative infrastructure.

6 days ago | [YT] | 0

Kojo Abrah

In African entertainment, distribution is the real leverage.
South Africa builds depth.
Ghana builds culture.
Nigeria builds reach.

When you understand this triangle, you stop seeing music as sound and start seeing it as infrastructure.

https://youtu.be/4VTAup477XU

6 days ago | [YT] | 0

Kojo Abrah

The African Music Value Chain Investors Don’t Understand:
South Africa understands music. Ghana does music. Nigeria sells music.

Three roles. Three leverage points.

In African entertainment private equity, there’s a triangle nobody talks about.
If you’re investing, here’s the truth:
Value is captured where distribution lives.
South Africa controls the structure. Ghana controls the culture. Nigeria controls the channels.

Know where you’re investing, or you’re not investing. You’re guessing.

And Under5 (my private equity firm) understands this very very well, You could be one of its limited partners.

1 week ago | [YT] | 0

Kojo Abrah

Running on this will produce and maintain power.

With this, I introduce my Inevitability Equation:
(Doctrine + Framework + Civilization) × Infrastructure = Inevitability.

2 weeks ago | [YT] | 0

Kojo Abrah

What part of the new power map do you think people are still underestimating?

3 weeks ago | [YT] | 0

Kojo Abrah

I believe one way to 'regulate' AI in the music industry is to 'put a face or voice' to any recreation by AI.

I have seen few arts doing this ‪@FAVEgyal‬(with Intentions) and
‪@MahmudBinAsrafVEVO‬ (with Papaoutai - Afro Soul ).

3 weeks ago | [YT] | 0