I met John Note on a Besphrenz video shoot and we got along instantly. He came to hang on the first leg of the So Long, Avalon tour with this really cool camera, and without any direction, he made this amazing video. John, thank you for making something so special.
Announcing my new book ‘High & Driving: The Origins of Avalon’. An archival reflection on the creation and touring history of my debut LP 'Avalon'. Presented through 84 pages of fan photos, drawings, handwritten lyrics, and stories about specific tracks from the album. Order yours now: bornlosersrecords.com/collections/anthony-green
Join me LIVE from the Gramercy Theatre in New York and celebrate the release of my newest album, ‘So Long, Avalon’ streaming exclusively on Veeps July 13th. On sale now at veeps.events/anthonygreen
A song is the most ideal intoxicant because you can escape into it over and over again, and nothing ever changes but you. Imagine you’re standing between two mirrors, one in front of you and one behind you. You see your reflection, and inside that reflection is another reflection, and another, and it goes on and on and on. That’s a kind of recursion.
Re-recording these songs we’ve played for so long wasn’t about nostalgia for me—it was about recursion. Avalon was my first steps in songwriting. My first time making anything where I had the final say. It was fully mine. Fully me. Impulsively raw and playfully unknowing. But as time passed, these songs have unspooled, split open, and reassembled themselves in the quiet mechanics of green room jams, 15-passenger vans, night after night on platforms and stages all over. And so have I.
Out of all my records, the original Avalon was recorded the fastest. I didn’t know how to slow down my thoughts or revise, and I hadn’t yet learned how to play the studio as an instrument. The first couple of shows I played as a solo artist, I asked Good Old War, who called themselves Castles then, to open for me. Afterwards, they agreed to come in and play on two songs on Avalon. They ended up filling the entire album with beautiful, spontaneous melody. That was the beginning.
We toured and played together for years and lived through many ups and downs together. After doing Boom. Done. and Doom. Spun. and a bunch of other stuff with Keith, every time we would play Avalon songs, I would dream about the concept of recording these arrangements, but I never made time because I was always working on something new. During the winter months of 24/25, in between writing and recording two records for other projects, Keith, Tim and I, along with our friends Rob Devious, Snacktime, and Sean Cohen, we chronicled and transcribed every lush ornament and alternate texture foraged and saturated in trial and error formation. Relived and reinvented past and present memory. A frolic retracing of first steps. Imagine you’re standing between two mirrors.
Excited to announce 'So Long, Avalon' a re-imagined version of my first album produced and mixed by Keith Goodwin. So Long, Avalon out June 20th. “She Loves Me So” & “Stonehearted Man” are streaming now. VIP Upgrades on sale now. Tickets on sale tomorrow at 10am local. I'm excited for you all to hear it and to play these new versions live for you all on tour this summer.
I was walking around Europe a lot on the recent LS Dunes tour, and I found myself singing these words in this melody. I heard somebody say the 'last summer in America', but referring to how they were in America last summer, past tense. I started dreaming up the idea of writing a simple folk song about how we seem to be more inclined to talk about the end of the world rather than the end of these oppressive corrupt systems that we’ve all invented or inherited and agreed to take part in. It’s a meditation on whether or not a broken system can heal itself within its own mechanisms.
Last Summer In America is now streaming everywhere.Each vinyl is hand-stamped, numbered and wrapped in a different newspaper clipping from news events throughout the summer of 2024 - no two are the same. Limited to 500. bornlosersrecords.com/collections/anthony-green
Making this album almost killed me and also saved my life. It is with great honor and pride that I release Boom Done. into the world. Thank you to Born Losers Records and Better Artists for all their help. Thank you to Keith Goodwin for the amazing production and William Yip for mixing and everybody who played on the record.
Anthony Green
Anthony Green
Can’t wait to hit the road with Microwave and Hunny next year. Tickets are on sale today at 10am local 🦦 anthonygreenmusic.com/
5 days ago | [YT] | 107
View 4 replies
Anthony Green
Spring tour with @microwaveatl and @hunnytheband next year. Tickets on sale Friday at 10am local.
1 week ago | [YT] | 78
View 5 replies
Anthony Green
I met John Note on a Besphrenz video shoot and we got along instantly. He came to hang on the first leg of the So Long, Avalon tour with this really cool camera, and without any direction, he made this amazing video. John, thank you for making something so special.
3 months ago | [YT] | 25
View 2 replies
Anthony Green
Announcing my new book ‘High & Driving: The Origins of Avalon’. An archival reflection on the creation and touring history of my debut LP 'Avalon'. Presented through 84 pages of fan photos, drawings, handwritten lyrics, and stories about specific tracks from the album. Order yours now: bornlosersrecords.com/collections/anthony-green
5 months ago | [YT] | 256
View 13 replies
Anthony Green
Join me LIVE from the Gramercy Theatre in New York and celebrate the release of my newest album, ‘So Long, Avalon’ streaming exclusively on Veeps July 13th. On sale now at veeps.events/anthonygreen
5 months ago | [YT] | 67
View 0 replies
Anthony Green
A song is the most ideal intoxicant because you can escape into it over and over again, and nothing ever changes but you. Imagine you’re standing between two mirrors, one in front of you and one behind you. You see your reflection, and inside that reflection is another reflection, and another, and it goes on and on and on. That’s a kind of recursion.
Re-recording these songs we’ve played for so long wasn’t about nostalgia for me—it was about recursion. Avalon was my first steps in songwriting. My first time making anything where I had the final say. It was fully mine. Fully me. Impulsively raw and playfully unknowing. But as time passed, these songs have unspooled, split open, and reassembled themselves in the quiet mechanics of green room jams, 15-passenger vans, night after night on platforms and stages all over. And so have I.
Out of all my records, the original Avalon was recorded the fastest. I didn’t know how to slow down my thoughts or revise, and I hadn’t yet learned how to play the studio as an instrument. The first couple of shows I played as a solo artist, I asked Good Old War, who called themselves Castles then, to open for me. Afterwards, they agreed to come in and play on two songs on Avalon. They ended up filling the entire album with beautiful, spontaneous melody. That was the beginning.
We toured and played together for years and lived through many ups and downs together. After doing Boom. Done. and Doom. Spun. and a bunch of other stuff with Keith, every time we would play Avalon songs, I would dream about the concept of recording these arrangements, but I never made time because I was always working on something new. During the winter months of 24/25, in between writing and recording two records for other projects, Keith, Tim and I, along with our friends Rob Devious, Snacktime, and Sean Cohen, we chronicled and transcribed every lush ornament and alternate texture foraged and saturated in trial and error formation. Relived and reinvented past and present memory. A frolic retracing of first steps. Imagine you’re standing between two mirrors.
So Long, Avalon is out now on @BornLosersRecords orcd.co/solongavalonlp
5 months ago | [YT] | 155
View 10 replies
Anthony Green
Excited to announce 'So Long, Avalon' a re-imagined version of my first album produced and mixed by Keith Goodwin. So Long, Avalon out June 20th. “She Loves Me So” & “Stonehearted Man” are streaming now. VIP Upgrades on sale now. Tickets on sale tomorrow at 10am local. I'm excited for you all to hear it and to play these new versions live for you all on tour this summer.
VIP Upgrades: anthonygreenmerch.com/
Stream / Preorder: orcd.co/solongavalonlp
7 months ago | [YT] | 53
View 4 replies
Anthony Green
I was walking around Europe a lot on the recent LS Dunes tour, and I found myself singing these words in this melody. I heard somebody say the 'last summer in America', but referring to how they were in America last summer, past tense. I started dreaming up the idea of writing a simple folk song about how we seem to be more inclined to talk about the end of the world rather than the end of these oppressive corrupt systems that we’ve all invented or inherited and agreed to take part in. It’s a meditation on whether or not a broken system can heal itself within its own mechanisms.
Last Summer In America is now streaming everywhere.Each vinyl is hand-stamped, numbered and wrapped in a different newspaper clipping from news events throughout the summer of 2024 - no two are the same. Limited to 500. bornlosersrecords.com/collections/anthony-green
1 year ago | [YT] | 60
View 5 replies
Anthony Green
My new video for "So It Goes" is out now!
3 years ago | [YT] | 32
View 2 replies
Anthony Green
Making this album almost killed me and also saved my life. It is with great honor and pride that I release Boom Done. into the world. Thank you to Born Losers Records and Better Artists for all their help. Thank you to Keith Goodwin for the amazing production and William Yip for mixing and everybody who played on the record.
3 years ago | [YT] | 40
View 0 replies
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