What if one of history's oldest traditions has been told backwards? In this documentary we continue our investigation into the ancient civilizations of the Americas through archaeology, ancient artwork, original murals, sculptures, pottery, carved stone monuments, comparative mythology, and historical writings. Rather than relying on modern artistic reconstructions, we examine original archaeological evidence left behind by the ancient Maya and other Indigenous peoples, allowing these civilizations to speak through their own surviving works of art. Among the evidence presented are the famous Bonampak murals, the remarkable figurine discovered at El Perú–Waka' in Guatemala, painted Maya vessels, monumental stone carvings, and numerous additional archaeological discoveries that reveal how these ancient peoples represented themselves. We also examine the writings of researchers who proposed that important ancient traditions may have originated in the Americas rather than being introduced from the Old World. A central focus of this documentary is the ancient Naga tradition. For centuries, the Nagas have been described as mysterious beings associated with India and Southeast Asia, while many accounts portray them as entirely mythical. This documentary explores another possibility by comparing archaeological evidence, iconography, symbolism, ceremonial attire, mythology, architecture, and historical traditions to investigate whether the Naga legends preserve memories of an ancient American civilization whose influence may have spread far beyond the Western Hemisphere. If history has often been interpreted from the perspective of Old World civilizations, could some traditions actually preserve memories of movements in the opposite direction? Topics explored include: • The Bonampak murals and Maya artistic traditions • Archaeological discoveries • Ancient Maya pottery, murals, and sculptures • Monumental stone carvings and iconography • Multiple human phenotypes represented in ancient American art • Jaguar symbolism and ceremonial regalia • Comparative mythology between the Americas and Asia • The historical writings of many researchers • The possibility that ancient Naga traditions preserve memories of an American origin
This documentary brings together archaeological discoveries, historical sources, comparative mythology, and artistic evidence to examine a perspective that challenges conventional historical narratives. Whether one ultimately agrees with these interpretations or not, the purpose of this presentation is to place the evidence before the viewer and encourage independent examination of the historical record. If you enjoy documentaries exploring archaeology, forgotten history, ancient civilizations, primary sources, and comparative historical research, be sure to subscribe for future investigations.
"Hay cómo quiero esa nena... diosa divina... morena princesa indígena..." Reina Califa is an original Spanish roots reggae song celebrating beauty, dignity, ancestry, and the enduring spirit of a woman whose presence reflects both nature and noble heritage. Inspired by conscious reggae traditions, this song blends warm one-drop rhythms, spiritual melodies, and heartfelt lyrics into a tribute to feminine strength. Rather than focusing on outward riches, it honors character, grace, ancestral roots, and the light carried within. May every verse remind us that true beauty is found in authenticity, resilience, and the legacy we carry through generations. "Morena... reina verdadera." 🎶 Written & Performed by: Kurimeo Ahau 🎵 Genre: Roots Reggae | Conscious Reggae | Spanish Reggae #RootsReggae#SpanishReggae#ConsciousReggae#OriginalMusic#ReinaCalifa#ReggaeMusic#OneLove#LatinReggae#RootsMusic#KurimeoAhau#ConsciousMusic#IndependentArtist#ReggaeVibes#OriginalSong#MusicVideo
REINA CALIFA (English Translation)
(Intro) Hmm... Hey... From the moment I saw you, I knew you were unlike anyone else. Hawah... life... Roots... lineage... Queen...
Verse 1 Oh, how I love that girl... A goddess divine... A beautiful brown Indigenous princess... A living flower. When she dances, the earth begins to breathe. Her ancestral rhythm awakens my soul. Her eyes... shine like the moon embracing the mountains. Her smile... heals every wound left behind by yesterday. She doesn't need a crown, she was born to reign. Wherever she walks, life begins to bloom again.
Pre-Chorus She doesn't even know how beautiful she truly is. She carries within her the strength of generations. She comes from a chosen people, from an everlasting fire, from an ancient legacy that lives once more.
Chorus Oh... How I love that girl... Brown-skinned... A true queen. With one voice they say she is the fairest in the kingdom. An Indigenous queen, walking with noble grace. Within her blood flows ancestral power. Strength passed down through countless generations. A queen... Like Queen Calafia. And every day I give thanks for having her in my life.
Verse 2 She doesn't chase riches, nor seek attention. Her greatest treasure lives inside her heart. Her eyes tell ancient stories... Of mountains, rivers, and moonlit nights. She holds the calm of a sacred forest. She carries the fire of the rising sun. When she smiles, time itself stands still. Even the wind changes its direction. Bridge She doesn't need diamonds... Nor garments of gold. Because she was born a priceless treasure. She doesn't need castles... Nor mighty cities. Her kingdom begins wherever her footsteps fall.
Chorus Oh... How I love that girl... Brown-skinned... A true queen. With one voice they say she is the fairest in the kingdom. An Indigenous queen, walking with noble grace. From a chosen people... Guided by destiny. Ancestral power... A sacred path. A queen... Like Queen Calafia. And every day I give thanks for having her in my life.
Dub Breakdown (Hayah...) (Hawah...) Queen... Brown-skinned... Nature... Ancestral... My inspiration... My blessing...
Final Chorus Oh... How I love that girl... A goddess divine... My beautiful brown Indigenous princess... May her light never fade. May her roots remain forever strong. As long as the sun rises over the earth... You will always be... My Queen... Calafia.
This documentary examines hundreds of original runaway advertisements published throughout colonial America and compares their language with historical dictionaries, legal definitions, and contemporary writings from the eighteenth century. Rather than relying on modern racial terminology, this presentation focuses on how people were actually described in the historical record. The primary sources examined include Joseph Lee Boyle's collections of runaway advertisements from Pennsylvania, New Jersey, and Maryland, including Lazy, Loves Strong Drink and is a Glutton: White Pennsylvania Runaways, 1720–1749, Great Lovers of Drink: White New Jersey Runaways, 1720–1766, and Sly and Artful Rogues: Maryland Runaways, 1715–1781. These volumes preserve hundreds of newspaper advertisements describing escaped servants, apprentices, transported prisoners, and other runaways. Many of these European individuals are described with terms such as swarthy, dark complexioned, brown, black, and in some cases as having bushy, frizzled, or wool-like hair. This documentary also examines Advertisements for Runaway Slaves, Indentured Servants, and Apprentices in the Pennsylvania Gazette, 1795–1796 and Blacks Who Stole Themselves: Advertisements for Runaways in the Pennsylvania Gazette, 1728–1790 by Billy G. Smith and Richard Wojtowicz. These collections provide additional examples of how colonial newspapers described enslaved people, apprentices, servants, and fugitives across different legal categories. To better understand the terminology used in these advertisements, we compare them with Noah Webster's 1828 American Dictionary of the English Language, examining the historical definition of the word swarthy, and with Black's Law Dictionary (Revised Fourth Edition), which discusses the historical legal meaning of the phrase "Free White Persons" in relation to early American naturalization law. The documentary also includes Benjamin Franklin's Observations Concerning the Increase of Mankind, Peopling of Countries, etc. (1755), including his comments regarding the complexion of various European populations, and references Jacobite Gleanings From State Manuscripts: The Transportations in 1745 by J. Macbeth Forbes, which records the physical descriptions of transported Jacobite prisoners. In addition, the presentation includes a discussion of historian Gunther Peck of Duke University, whose lecture on Slavery, Indentured Servitude & Race explores historical uses of the term "white slave" within specific historical contexts. The purpose of this documentary is to examine original historical documents, legal definitions, dictionaries, and academic research, allowing viewers to compare the evidence for themselves and better understand how complexion, legal status, and descriptive language were recorded in colonial America. As always, viewers are encouraged to consult the original sources cited throughout the presentation and draw their own informed conclusions.
Support me as a Patron and get access to many PDF books including this one: “The McGillivray and McIntosh Traders on the old Southwest Frontier 1716 - 1815” - CLICK ON THE LINK TO DOWNLOAD: www.patreon.com/kurimeo/posts/pdf-book-and-on-1657…
Also here is the link to my main Patron page if you interested in taking a look : www.patreon.com/c/kurimeo
Also get access to exclusive videos Like my "Dont Mention The Chazars" Series and many many other PDF books Ive read on my videos !! Pura Vida ! Thanks for your support ...... Only do this if you are willing and able, I will continue to do what I do either way. Hawah Bless ..........
Also here is the link to my main Patron page if you interested in taking a look : www.patreon.com/c/kurimeo
Also get access to exclusive videos Like my "Dont Mention The Chazars" Series and many many other PDF books Ive read on my videos !! Pura Vida ! Thanks for your support ...... Only do this if you are willing and able, I will continue to do what I do either way. Hawah Bless ..........
Most people picture modern day Chinese, East Asians when they hear the word "Asian." But the historical evidence tells a much broader story. During the Spanish colonial period, the Manila Galleons connected Southeast Asia with the Americas for more than two centuries. Historical records document the transportation and enslavement of people from South and Southeast Asia into New Spain (Colonial Mexico). This documentary examines that overlooked chapter of history through primary historical documents and modern scholarship. Many of the people discussed were Indigenous dark-skinned populations of South and Southeast Asia, including communities known today as Negrito peoples. Their appearance differs greatly from the modern stereotype that many people associate with the word "Asian." Throughout this documentary, I present dozens of rare archival photographs that I have digitally restored and colorized, allowing viewers to see many of these Indigenous South and Southeast Asian peoples in vivid detail while helping preserve an often-overlooked visual record of their history. The documentary also explores how enslaved Asians were classified in Spanish colonial records under terms such as "Chinos" and, in some contexts, other colonial legal and social categories. By examining historical documents alongside scholarly research, this episode investigates how these classifications were used within the Spanish Empire and what they reveal about the trans-Pacific slave trade. Sources Featured • Asian Slaves in Colonial Mexico: From Chinos to Indians — Tatiana Seijas (Cambridge Latin American Studies) • The Manila Galleon and California — William Lytle Schurz • The Archaeology of Manila Galleons — Roberto Junco Alongside these scholarly works, this documentary presents primary historical accounts, colonial records, and archival evidence so viewers can examine the sources directly and draw their own informed conclusions. History is often far more diverse and complex than the simplified narratives found in many textbooks.
Kurimeo Ahau
What if one of history's oldest traditions has been told backwards?
In this documentary we continue our investigation into the ancient civilizations of the Americas through archaeology, ancient artwork, original murals, sculptures, pottery, carved stone monuments, comparative mythology, and historical writings.
Rather than relying on modern artistic reconstructions, we examine original archaeological evidence left behind by the ancient Maya and other Indigenous peoples, allowing these civilizations to speak through their own surviving works of art.
Among the evidence presented are the famous Bonampak murals, the remarkable figurine discovered at El Perú–Waka' in Guatemala, painted Maya vessels, monumental stone carvings, and numerous additional archaeological discoveries that reveal how these ancient peoples represented themselves.
We also examine the writings of researchers who proposed that important ancient traditions may have originated in the Americas rather than being introduced from the Old World.
A central focus of this documentary is the ancient Naga tradition.
For centuries, the Nagas have been described as mysterious beings associated with India and Southeast Asia, while many accounts portray them as entirely mythical. This documentary explores another possibility by comparing archaeological evidence, iconography, symbolism, ceremonial attire, mythology, architecture, and historical traditions to investigate whether the Naga legends preserve memories of an ancient American civilization whose influence may have spread far beyond the Western Hemisphere.
If history has often been interpreted from the perspective of Old World civilizations, could some traditions actually preserve memories of movements in the opposite direction?
Topics explored include:
• The Bonampak murals and Maya artistic traditions
• Archaeological discoveries
• Ancient Maya pottery, murals, and sculptures
• Monumental stone carvings and iconography
• Multiple human phenotypes represented in ancient American art
• Jaguar symbolism and ceremonial regalia
• Comparative mythology between the Americas and Asia
• The historical writings of many researchers
• The possibility that ancient Naga traditions preserve memories of an American origin
This documentary brings together archaeological discoveries, historical sources, comparative mythology, and artistic evidence to examine a perspective that challenges conventional historical narratives. Whether one ultimately agrees with these interpretations or not, the purpose of this presentation is to place the evidence before the viewer and encourage independent examination of the historical record.
If you enjoy documentaries exploring archaeology, forgotten history, ancient civilizations, primary sources, and comparative historical research, be sure to subscribe for future investigations.
8 hours ago | [YT] | 13
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Kurimeo Ahau
victims still popping up
16 hours ago | [YT] | 26
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Kurimeo Ahau
🔥🔥🔥💯
1 day ago | [YT] | 29
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Kurimeo Ahau
"Hay cómo quiero esa nena... diosa divina... morena princesa indígena..."
Reina Califa is an original Spanish roots reggae song celebrating beauty, dignity, ancestry, and the enduring spirit of a woman whose presence reflects both nature and noble heritage.
Inspired by conscious reggae traditions, this song blends warm one-drop rhythms, spiritual melodies, and heartfelt lyrics into a tribute to feminine strength. Rather than focusing on outward riches, it honors character, grace, ancestral roots, and the light carried within.
May every verse remind us that true beauty is found in authenticity, resilience, and the legacy we carry through generations.
"Morena... reina verdadera."
🎶 Written & Performed by: Kurimeo Ahau
🎵 Genre: Roots Reggae | Conscious Reggae | Spanish Reggae
#RootsReggae #SpanishReggae #ConsciousReggae #OriginalMusic #ReinaCalifa #ReggaeMusic #OneLove #LatinReggae #RootsMusic #KurimeoAhau #ConsciousMusic #IndependentArtist #ReggaeVibes #OriginalSong #MusicVideo
REINA CALIFA (English Translation)
(Intro)
Hmm...
Hey...
From the moment I saw you,
I knew you were unlike anyone else.
Hawah... life...
Roots... lineage...
Queen...
Verse 1
Oh, how I love that girl...
A goddess divine...
A beautiful brown Indigenous princess...
A living flower.
When she dances,
the earth begins to breathe.
Her ancestral rhythm
awakens my soul.
Her eyes...
shine like the moon
embracing the mountains.
Her smile...
heals every wound
left behind by yesterday.
She doesn't need a crown,
she was born to reign.
Wherever she walks,
life begins to bloom again.
Pre-Chorus
She doesn't even know
how beautiful she truly is.
She carries within her
the strength of generations.
She comes from a chosen people,
from an everlasting fire,
from an ancient legacy
that lives once more.
Chorus
Oh...
How I love that girl...
Brown-skinned...
A true queen.
With one voice they say
she is the fairest in the kingdom.
An Indigenous queen,
walking with noble grace.
Within her blood
flows ancestral power.
Strength passed down
through countless generations.
A queen...
Like Queen Calafia.
And every day I give thanks
for having her in my life.
Verse 2
She doesn't chase riches,
nor seek attention.
Her greatest treasure
lives inside her heart.
Her eyes
tell ancient stories...
Of mountains,
rivers,
and moonlit nights.
She holds the calm
of a sacred forest.
She carries the fire
of the rising sun.
When she smiles,
time itself stands still.
Even the wind
changes its direction.
Bridge
She doesn't need diamonds...
Nor garments of gold.
Because she was born
a priceless treasure.
She doesn't need castles...
Nor mighty cities.
Her kingdom begins
wherever her footsteps fall.
Chorus
Oh...
How I love that girl...
Brown-skinned...
A true queen.
With one voice they say
she is the fairest in the kingdom.
An Indigenous queen,
walking with noble grace.
From a chosen people...
Guided by destiny.
Ancestral power...
A sacred path.
A queen...
Like Queen Calafia.
And every day I give thanks
for having her in my life.
Dub Breakdown
(Hayah...)
(Hawah...)
Queen...
Brown-skinned...
Nature...
Ancestral...
My inspiration...
My blessing...
Final Chorus
Oh...
How I love that girl...
A goddess divine...
My beautiful brown Indigenous princess...
May her light
never fade.
May her roots
remain forever strong.
As long as the sun
rises over the earth...
You will always be...
My Queen...
Calafia.
1 day ago | [YT] | 10
View 0 replies
Kurimeo Ahau
This documentary examines hundreds of original runaway advertisements published throughout colonial America and compares their language with historical dictionaries, legal definitions, and contemporary writings from the eighteenth century.
Rather than relying on modern racial terminology, this presentation focuses on how people were actually described in the historical record.
The primary sources examined include Joseph Lee Boyle's collections of runaway advertisements from Pennsylvania, New Jersey, and Maryland, including Lazy, Loves Strong Drink and is a Glutton: White Pennsylvania Runaways, 1720–1749, Great Lovers of Drink: White New Jersey Runaways, 1720–1766, and Sly and Artful Rogues: Maryland Runaways, 1715–1781. These volumes preserve hundreds of newspaper advertisements describing escaped servants, apprentices, transported prisoners, and other runaways. Many of these European individuals are described with terms such as swarthy, dark complexioned, brown, black, and in some cases as having bushy, frizzled, or wool-like hair.
This documentary also examines Advertisements for Runaway Slaves, Indentured Servants, and Apprentices in the Pennsylvania Gazette, 1795–1796 and Blacks Who Stole Themselves: Advertisements for Runaways in the Pennsylvania Gazette, 1728–1790 by Billy G. Smith and Richard Wojtowicz. These collections provide additional examples of how colonial newspapers described enslaved people, apprentices, servants, and fugitives across different legal categories.
To better understand the terminology used in these advertisements, we compare them with Noah Webster's 1828 American Dictionary of the English Language, examining the historical definition of the word swarthy, and with Black's Law Dictionary (Revised Fourth Edition), which discusses the historical legal meaning of the phrase "Free White Persons" in relation to early American naturalization law.
The documentary also includes Benjamin Franklin's Observations Concerning the Increase of Mankind, Peopling of Countries, etc. (1755), including his comments regarding the complexion of various European populations, and references Jacobite Gleanings From State Manuscripts: The Transportations in 1745 by J. Macbeth Forbes, which records the physical descriptions of transported Jacobite prisoners.
In addition, the presentation includes a discussion of historian Gunther Peck of Duke University, whose lecture on Slavery, Indentured Servitude & Race explores historical uses of the term "white slave" within specific historical contexts.
The purpose of this documentary is to examine original historical documents, legal definitions, dictionaries, and academic research, allowing viewers to compare the evidence for themselves and better understand how complexion, legal status, and descriptive language were recorded in colonial America. As always, viewers are encouraged to consult the original sources cited throughout the presentation and draw their own informed conclusions.
1 day ago | [YT] | 9
View 0 replies
Kurimeo Ahau
Support me as a Patron and get access to many PDF books including this one: “The McGillivray and McIntosh Traders on the old Southwest Frontier 1716 - 1815” - CLICK ON THE LINK TO DOWNLOAD: www.patreon.com/kurimeo/posts/pdf-book-and-on-1657…
Also here is the link to my main Patron page if you interested in taking a look : www.patreon.com/c/kurimeo
Also get access to exclusive videos Like my "Dont Mention The Chazars" Series and many many other PDF books Ive read on my videos !! Pura Vida ! Thanks for your support ......
Only do this if you are willing and able, I will continue to do what I do either way.
Hawah Bless ..........
Join this channel to get access to perks:
youtube.com/channel/UCEfFohhBoKFgVy8UCUbRMmA/join
2 days ago | [YT] | 172
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Kurimeo Ahau
Real History !!! ..... Did You miss this one ?
2 days ago | [YT] | 55
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Kurimeo Ahau
Did you ever watch this one ?
2 days ago | [YT] | 54
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Kurimeo Ahau
Support me as a Patron and get access to many PDF books including this one: “BLACK FORTUNES” - CLICK ON THE LINK TO DOWNLOAD: www.patreon.com/kurimeo/posts/pdf-book-black-16577…
Also here is the link to my main Patron page if you interested in taking a look : www.patreon.com/c/kurimeo
Also get access to exclusive videos Like my "Dont Mention The Chazars" Series and many many other PDF books Ive read on my videos !! Pura Vida ! Thanks for your support ......
Only do this if you are willing and able, I will continue to do what I do either way.
Hawah Bless ..........
Join this channel to get access to perks:
youtube.com/channel/UCEfFohhBoKFgVy8UCUbRMmA/join
2 days ago | [YT] | 108
View 0 replies
Kurimeo Ahau
Most people picture modern day Chinese, East Asians when they hear the word "Asian." But the historical evidence tells a much broader story.
During the Spanish colonial period, the Manila Galleons connected Southeast Asia with the Americas for more than two centuries. Historical records document the transportation and enslavement of people from South and Southeast Asia into New Spain (Colonial Mexico).
This documentary examines that overlooked chapter of history through primary historical documents and modern scholarship. Many of the people discussed were Indigenous dark-skinned populations of South and Southeast Asia, including communities known today as Negrito peoples. Their appearance differs greatly from the modern stereotype that many people associate with the word "Asian."
Throughout this documentary, I present dozens of rare archival photographs that I have digitally restored and colorized, allowing viewers to see many of these Indigenous South and Southeast Asian peoples in vivid detail while helping preserve an often-overlooked visual record of their history.
The documentary also explores how enslaved Asians were classified in Spanish colonial records under terms such as "Chinos" and, in some contexts, other colonial legal and social categories. By examining historical documents alongside scholarly research, this episode investigates how these classifications were used within the Spanish Empire and what they reveal about the trans-Pacific slave trade.
Sources Featured
• Asian Slaves in Colonial Mexico: From Chinos to Indians — Tatiana Seijas (Cambridge Latin American Studies)
• The Manila Galleon and California — William Lytle Schurz
• The Archaeology of Manila Galleons — Roberto Junco
Alongside these scholarly works, this documentary presents primary historical accounts, colonial records, and archival evidence so viewers can examine the sources directly and draw their own informed conclusions.
History is often far more diverse and complex than the simplified narratives found in many textbooks.
2 days ago | [YT] | 25
View 0 replies
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