WE BELIEVE
ART CAN MAKE THIS WORLD A BETTER PLACE.
đ¨ Welcome to the canvas of boundless imagination! đ Dive into the artistic cosmos of our YouTube channel, where creativity knows no bounds. From functional fine art to mesmerizing installation masterpieces, we're here to spark your imagination and redefine artistic expression. Subscribe now for a front-row seat to the extraordinary journey where every stroke tells a story. đ⨠Let's redefine art together! #artstory #creativerevolution
Fall in love with ordinary. Fall in love with the everyday. Fall in love with brown eyes and small towns and a hand full of dandelions. Discover. Discover the crevices. Read the books that arenât so popular, by little-known authors who have a lot to offer. Listen to music that makes you think. Choose art that is buried in the corner of galleries, or on the street. Teach yourself to love the small things. The special but unnoticed things. Teach yourself how the ordinary is not so ordinary after all.
Art Story & People
āĻŽā§āϝāĻŧā§āĻĻā§āϰ āϞāĻĄāĻŧāĻžāĻāĻā§ āĻā§āϰā§āύāĻŋāĻļ...
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Art Story & People
âFascism attempts to organize the newly created proletarian masses without affecting the property structure which the masses strive to eliminate. Fascism sees its salvation in giving these masses not their right, but instead a chance to express themselves. The masses have a right to change property relations; Fascism seeks to give them an expression while preserving property. The logical result of Fascism is the introduction of aesthetics into political life. The violation of the masses, whom Fascism, with its FÃŧhrer cult, forces to their knees, has its counterpart in the violation of an apparatus which is pressed into the production of ritual values. [âĻ]
âAll efforts to render politics aesthetic culminate in one thing: war. War and war only can set a goal for mass movements on the largest scale while respecting the traditional property system. This is the political formula for the situation. The technological formula may be stated as follows: Only war makes it possible to mobilize all of todayâs technical resources while maintaining the property system. It goes without saying that the Fascist apotheosis of war does not employ such arguments. [âĻ]
âMankind, which in Homerâs time was an object of contemplation for the Olympian gods, now is one for itself. Its self-alienation has reached such a degree that it can experience its own destruction as an aesthetic pleasure of the first order. This is the situation of politics which Fascism is rendering aesthetic. Communism responds by politicizing art.â
-Walter Benjamin
5 months ago | [YT] | 9
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Art Story & People
âThe production of ideas, of conceptions, of consciousness, is at first directly interwoven with the material activity and the material intercourse of humanity, the language of real life. Conceiving, thinking, the mental intercourse of humanity, appear at this stage as the direct efflux of their material behaviour. The same applies to mental production as expressed in the language of politics, laws, morality, religion, metaphysics, etc., of a people. Humans are the producers of their conceptions, ideas, etc.âreal, active humanity, as they are conditioned by a definite development of their productive forces and of the intercourse corresponding to these, up to its furthest forms. Consciousness can never be anything else than conscious existence, and the existence of humanity is their actual life-process. If in all ideology humanity and their circumstances appear upside-down as in a camera obscura, this phenomenon arises just as much from their historical life-process as the inversion of objects on the retina does from their physical life-process. [âĻ]
â[R]uling ideas are nothing more than the ideal expression of the dominant material relationships, the dominant material relationships grasped as ideas; hence of the relationships which make the one class the ruling one, therefore, the ideas of its dominance.â
-Marx and Engels, 1845
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Art Story & People
Anaami â our debut dance-theatre production â is a heartfelt artistic endeavor to shed light on social inequality, drawing inspiration from the epic past to reflect on present realities.
Blending years of rigorous training with deep-rooted cultural expressions, Anaami unfolds its narrative through the powerful rhythms of Baul music and the resonant beats of the Chenda, creating a raw yet poetic sensory experience.
With movement as our language and tradition as our guide, we invite you into a world where myth meets message â a performance that challenges, questions, and resonates.
Presenting - " ANAAMI "
đ Date: 27th July , 2025
đ Venue: The Urban Theatre Project
31/A Kabir Road; Kolkata 26
Parallel to Southern Avenue.
Nearest Metro station : Kalighat
đ Donor Pass : Contact 8777624909 / +91 94776 72344
Exhibition and Association by Art Story & People
Poster design by Barnab Dot Artt āĻĻā§āĻļā§āϝāĻāϞā§āĻĒāĻĻā§āϰā§āĻŽ
Music by Kalamandalam KP Gopakumar and Shyami
Space : Ranan Workspace
Documentation by Avishek Dutta
#dance #movement #bodies #performance #ReclaimTheStage
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Art Story & People
'āĻĢā§āϞāύāĻž āĻā§āϞāύāĻž āĻā§āϞāύāĻž āĻĻā§ā§āĻžāϞ'
'āĻĒā§āϰāĻŋā§ āĻā§āĻā§āĻ āĻŦāύā§āϧā§,
āĻāĻĒāύāĻžāϰ āĻĒā§āϰāύ⧠āĻā§āϞāύāĻž āĻāĻāĻžāύ⧠āĻĻāĻŋā§ā§ āϝāĻžāύ,
āĻā§āĻā§āĻ āĻŦāύā§āϧā§āϰ āĻāύā§āϝ āĻĒāĻāύā§āĻĻā§āϰ āĻā§āϞāύāĻžāĻāĻŋ āύāĻŋā§ā§ āϝāĻžāύ āĻĒā§āϞāĻŋāĻāĨ¤'
āϏā§āĻāύā§āϝ⧠- āĻŽāĻžāύā§āώ
Cartoonist Morshed Mishu and his friends have cooked up a brilliant idea to bring kids joy and find loving new homes for old toys in the process.
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Art Story & People
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Art Story & People
āĻŽā§āĻšāύāĻŦāĻžāĻāĻžāύā§āϰ āĻŽā§āϝāĻŧā§... āĻāϏāĻā§
7 months ago | [YT] | 13
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Art Story & People
āĻāύā§āĻŽāĻĻāĻŋāύ⧠āϰāĻŦā§āύā§āĻĻā§āϰāύāĻžāĻĨ āĻ āĻžāĻā§āϰāĨ¤ āĻļāĻžāύā§āϤāĻŋāύāĻŋāĻā§āϤāύ, ā§§ā§¯ā§Šā§āĨ¤
7 months ago | [YT] | 15
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Art Story & People
Art & Lenin...
#artstory #lenin #art
8 months ago | [YT] | 17
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Art Story & People
āĻĒā§āϝāĻžāϰāĻŋāϏā§āϰ āĻā§āϝāĻžāϞāĻžāϰāĻŋ āĻĒāĻŋāĻāĻžāϞ -āĻ āϤāĻžāĻāϰ āύāĻŋāĻā§āϰ āĻļāĻŋāϞā§āĻĒāĻāϰā§āĻŽ āĻāĻŋāϤā§āϰāĻĒā§āϰāĻĻāϰā§āĻļāύā§āϤ⧠āϰāĻŦā§āύā§āĻĻā§āϰāύāĻžāĻĨ āĻ āĻžāĻā§āϰ āĻāĻŦāĻ āĻāĻŋāĻā§āϤā§āϰāĻŋāϝāĻŧāĻž āĻāĻāĻžāĻŽā§āĻĒā§āĨ¤ 2 āĻŽā§, 1930.
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