First of all i apologise for being this late, I was unsure of this part whether to upload it or not but here we go. It's mostly similar to the taiji wuji meta but I try to make more understanding... maybe
Before that i like to clarify something bout the afterlife
At first, I believed there wasn’t enough source material to say anything concrete about the afterlife. However, after reconsidering the context, a clearer pattern emerges.
Ultio R explicitly states that he wants to rest and return to nothingness. On its own, this is not sufficient to claim Wuji. The use of wu (無), meaning “nothingness,” does not automatically equate to Wuji (無極). Simply seeing the character 無 is not enough evidence.
However, when this “nothingness” is examined more closely, its portrayal aligns strongly with how Wuji is represented in Taoist philosophy.
Wuji is commonly understood as a void-like state where all differentiation ceases and everything returns to an undivided origin. This idea of return is not shown once, but repeatedly throughout the series. Both Ultio R and Tam are depicted as returning to the same form of nothingness, framed not as destruction or punishment, but as rest, cessation, and release from distinction. If the anime depiction is taken into account, Jegal may also follow this same pattern.
Additionally, what we identify as the afterlife is visually portrayed as a featureless white void—devoid of form, identity, or separation. While this alone does not definitively prove it is Wuji, it clearly functions as a symbolic representation of primordial nothingness, closely resembling how Wuji is depicted in Taoist philosophy rather than how it is rigidly defined.
For this reason, while it cannot be stated with absolute certainty that the afterlife is Wuji, it is reasonable to interpret it as a Wuji-like or Wuji-symbolic state, consistent with the philosophical themes used throughout the narrative.
This interpretation becomes much stronger when considering explicit sources from the webtoon and the games.
Scan: Tam System Type
Systems such as Tam and Greed are described in their original form. The webtoon explains that this system is represented as Mugeuk (無極 / Wuji) itself, which can ultimately return to Mu (無 / nothingness).
Since the game was created by directly drawing upon the webtoon’s settings, all in-game configurations fundamentally reference the webtoon’s cosmology.
Another scan explicitly references:
Yin & Yang
Taiji (太極) & Wuji (無極)
Emptiness / Nothingness (허무)
Extinction / Nirvanic annihilation (적멸)
These are not vague metaphors. They show that Wuji and Taiji are explicitly acknowledged cosmological concepts within the setting in context.
When Tam, described as Mugeuk itself, consumes all things—including itself—and returns everything to Mu, this aligns perfectly with Wuji as a state of absolute potential rather than simple emptiness. In context, it makes sense that everything ultimately returns to Wuji itself.
Now let me explain the cosmology as a whole.
For this purpose, we will employ the framework of Taiji.
Taiji (太極), the “Supreme Ultimate” or “Supreme Pole,” represents the non-dual foundational principle from which all differentiation arises. It is not merely a physical construct, but the principle by which any distinction, polarity, or determination becomes possible. Wherever differentiation exists—whether physical, metaphysical, or conceptual—Taiji is present.
Within The God of High School, Taiji is shown to exist alongside Wuji, being involved to utterly nullify the Fundamental Forces of the Universe (the Forces of Nature); all creation punch (Infinity Punch). This establishes Taiji not as a local or limited force, but as a principle operating at the most fundamental level of the cosmology.
The totality of creation is described by the term SAMARAMANSANG, which translates to the totality of all existence or the myriad phenomena. Crucially, this term does not merely denote currently manifested physical reality, but all phenomena that arise through differentiation. Since Taiji governs differentiation itself, samaramansang logically includes all differentiated states that can arise from Taiji, not only those that are presently realized.
This interpretation is reinforced by narrative evidence showing that the world of GOH extends across possibilities themselves, as demonstrated through Dean’s interactions with future possibilities to the all logical possibilities of the scenario. Thus, existence in GOH is not restricted to a single realized world, but encompasses a broader field of possible configurations.
Wuji (無極), the “Limitless,” represents the undifferentiated state of absolute potential from which Taiji emerges. Wuji is devoid of polarity, distinction, or determination—it is neither being nor non-being, but the precondition for both. From Wuji, Taiji arises, and from Taiji, all differentiated phenomena—samaramansang—unfold.
Wuji’s presence in GOH is further supported by references to “Original Greed” (Tam), a being stated to consume all things, including itself, returning existence to 無 (Wu, nothingness)—the very character that constitutes the foundation of Wuji. And within the context it makes sense for everything returned to wuji itself, This aligns Wuji with a state of absolute potential rather than mere emptiness.
Therefore, samaramansang encompasses not only all manifested worlds, but the full domain of differentiated possibilities. In modern philosophical terms, this corresponds to logical space or the set of logically possible worlds, insofar as they are expressions of differentiation emerging from Taiji and grounded in the absolute potential of Wuji.
Due to the taiji being in the cosmological principle that encompasses the universe this would scale the samaramansang to all logically possible worlds etc.
Because differentiation exists in every logically possible world, and because Taiji is the principle governing differentiation itself, Samaramansang necessarily encompasses the full domain of differentiated possibilities grounded in Taiji. In modern philosophical terms, this corresponds to logical space or the set of logically possible worlds, insofar as they are expressions of differentiation emerging from Taiji and rooted in the absolute potential of Wuji.
It is crucial to clarify that Taiji itself is not differentiation. Taiji is the principle from which all dyadic modals arise—the law governing opposition, alternation, transformation, and distinction. Taiji is non-polar, just like Wuji; it gives rise to polarity but is not itself polarized.
Note: This is the highest interpretation of the cosmology so it's solely on you whether you wanna use it or not And also not just any character can be scaled to taiji let alone wuji only those who can affect the cosmological principle and who transcend those principal
Cosmology is almost fully laid out. In this part, I’ll explain some sections of the cosmology that are currently unscalable. At first, I considered leaving them unexplained, but it wouldn’t hurt to clarify them anyway.
Imaginary Realm Scan 1: 이곳은 심상의 공간 외부와는 완전히 단절된 독립된 곳 Translation: “This is a mental/imaginal space. A completely independent place, entirely cut off from the outside world.”
In this realm, no time actually passes. We see this when Mubong enters and returns instantly, as if no moments had passed at all. While this is technically an assumption, it is highly likely given the context. The realm exists within one’s mind, yet it is explicitly stated to be completely isolated from the outside world. This suggests that it does not operate under conventional space-time rules. Instead, it functions as a metaphysical space, constructed from fragments of memory rather than physical matter.
As for its scale, it is either Null or Outerversal. I personally lean toward Null.
Afterlife The afterlife is described as nothingness. Scan: 그겁니다… 제가 이 세상에 남은 마지막 ‘탐(貪)’ 제가 무(無)로 돌아가는 게 저의 마지막 역할… 쉬고 싶군요. Translation: “That’s it… The last remaining ‘desire’ I have left in this world. Returning to nothingness is my final role… I want to rest.”
It is portrayed as a post-material state that is completely peaceful. In philosophy, “nothingness” refers to the absolute absence of anything: no existence, no matter, and not even space or time. This scaling depends on whether one interprets this nothingness as being directly related to Wuji which the scan support as you seen the use of 無 or wuji first letter 'wu' the primordial nothingness.
If it is, then it would easily scale way higher than Outerversal, potentially reaching High Outerversal+, since Wuji is a nothingness which exists beyond all Dimensional hierarchy, space, and time or anything in general.
Naraka / Hell
There is not enough material or context provided for Naraka. Because of this, I am assuming it may be similar to the afterlife; however, this assumption is contradictory in itself.
Due to the lack of information, I’ve kept this realm at an Unknown tier.
Most of the cosmology has already been established, and I may finish it in a few more parts. For now, let’s begin with the timelines, or what is commonly referred to as the multiverse in other words. Reality constantly branches into multiple worlds.
We know that every decision and even the smallest movement can alter future outcomes. This is clearly demonstrated during Mori’s fight with Kim Doo-sik, where possibilities visibly split every second, illustrating how timelines diverge continuously.
Scan 1: 행동수정 김두식 행동 선택 옵션 5가지로 변경
Translation: Behavior modification Kim Doo-sik — Change action selection options to 5 types.
Scan 2: 개싸움이 되고나니 변수가 급격히 증가한다!
예지에 익숙지 않은 모두에게 과부하!
Translation: Once it turns into a dogfight, the variables increase rapidly! For those unaccustomed to foresight, it’s an overload for everyone!
Scan 3: 나를 제외한 나머지는 변수를 미처 따라가지 못하고 있다!!
Translation: Everyone except me is failing to keep up with the variables!!
Later, during his final battle with Mujin, Mori summons alternate versions of himself from different timelines. This directly confirms the existence of parallel realities. While the exact size or scale of each universe is not explicitly stated, Mori notes that each summoned copy represents a version of himself that he could have become. Furthermore, each of these alternate realities retains the same fundamental structure: the same people exist, and the same general sequence of events unfolds, with only minor deviations. Additionally, the story context explicitly references key concepts from modern physics, Such as: superposition Schrödinger’s cat the existence of multiple universes. The multiverse is further reinforced and confirmed through the games, which are canon.
Scan: 뭐지?! 차원의 중첩? 단순한 중력파? 공간이 뒤틀린다.
Translation: What the—?! Dimensional superposition? A mere gravitational wave? Space is twisting.`
Within this framework, each version of Mori possesses its own history and sequence of events, differing only through small variations. Mori summons nine alternate versions of himself, but this clearly does not represent the full extent of the multiverse. This is further supported by the games, where numerous different characters are shown to originate from entirely separate dimensions.
To summarize, each alternate reality appears structurally similar to the main one, sharing consistent world rules and repeating core events with minor divergences. The main universe, including all of its realms, already functions as a small multiverse at minimum, as explained earlier. Based on the existence of the Central Realm acting as a higher-dimensional structure within the main universe (which I have already demonstrated in previous posts), the cosmology can reasonably be scaled to at least 6D. If this higher-dimensional main universe contains multiple such multiverses, the structure would extend to 7D. Furthermore, when accounting for spatial multiplicity alongside a necessary temporal axis, often referred to as hypertime, this adds another dimensional layer.
This places the multiverse at 7–8 dimensions, due to its logical and ontological spatial structure, potentially reaching further into hyperversal levels—depending on whether one accepts the ontological status of the Heavenly Realm.
Alright, so this time I’m going to talk about the Central Realm and the Dragon King Sanctuary.
First: the Central Realm
From what we know, all three main realms—the Human Realm, Sage Realm, and Divine Realm—are separate dimensions. They require specific portals or gates to connect, because otherwise it would be impossible for these realms to be linked through standard space. Only the presence of a higher dimension can separate multiple dimensions in this way.(According to vsbw)
For example, two universes (both being 3D spaces) can exist within a 4D spatial framework.
The Central Realm plays the same role by separating these realms, acting as a higher-dimensional space relative to the three main universes.
Scan: 좌표…
천계와 마계의 중간 공간…
Translation:
“Coordinate…
The space between Heaven and the Demon World…”
This would place the Central Realm at a bare minimum of 5D to 6D, since the Sage Realm and Divine Realm are already separated by at least 4D spacetime bare minimum and likely low multiversal as i explained in earlier parts.
If you also accept the ontology of the Heavenly Realm’s layered floors, then the Central Realm could be considered hyperversal—though that depends on you.
Now: the Dragon King’s Stomach / Ogre Sanctuary
This place is completely separated from the world in general—not just from standard spacetime, but from the entire Heavenly Realm itself.
Even visually, the structure of this sanctuary resembles the last seven floors of the Heavenly Realm, which implies two possibilities.
Either this sanctuary is completely beyond the perception of the gods on a higher-dimensional level—considering that no gods within the Heavenly Realm, including Odin (who can open gates to any place across different worlds, based on my interpretation of the gates in Odin’s library in divine realm), are able to access it—or this realm is equal to or higher than the Central Realm since it's separating it from the main 3 realms cosmology.
This would place it anywhere from 5D–6D up to hyperversal in scale(only if you believe in Ontology of the floors)
MORI
Who winner 🤔
17 hours ago | [YT] | 20
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MORI
Where does sung jinwoo scale without his wuji meta
19 hours ago | [YT] | 76
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MORI
SCALING GOD OF HIGHSCHOOL COSMOLOGY PART 9
First of all i apologise for being this late, I was unsure of this part whether to upload it or not but here we go. It's mostly similar to the taiji wuji meta but I try to make more understanding... maybe
So let's begin
First let's summarise the entire cosmology
Living world: low 2C (4D)
Sage world: low 2C(4D) | 2C (multiple 4D spaces)
Heavenly realm: 2C(7 4D realms) | low1C(5d) | H1C(11D) with Ontology | HIGHER
Fantasy realm: low 2C(4d)
Dokabbi land: 3A
Central realm: 1C(6-7D) | higher with Ontology
Otherworld: 1C (6D) | 1A
Timelines: 1C (7-8D)
Imaginary realm: null or 1A (likely null)
Afterlife: unknown | ???
Naraka: unknown
Before that i like to clarify something bout the afterlife
At first, I believed there wasn’t enough source material to say anything concrete about the afterlife. However, after reconsidering the context, a clearer pattern emerges.
Ultio R explicitly states that he wants to rest and return to nothingness. On its own, this is not sufficient to claim Wuji. The use of wu (無), meaning “nothingness,” does not automatically equate to Wuji (無極). Simply seeing the character 無 is not enough evidence.
However, when this “nothingness” is examined more closely, its portrayal aligns strongly with how Wuji is represented in Taoist philosophy.
Wuji is commonly understood as a void-like state where all differentiation ceases and everything returns to an undivided origin. This idea of return is not shown once, but repeatedly throughout the series. Both Ultio R and Tam are depicted as returning to the same form of nothingness, framed not as destruction or punishment, but as rest, cessation, and release from distinction. If the anime depiction is taken into account, Jegal may also follow this same pattern.
Additionally, what we identify as the afterlife is visually portrayed as a featureless white void—devoid of form, identity, or separation. While this alone does not definitively prove it is Wuji, it clearly functions as a symbolic representation of primordial nothingness, closely resembling how Wuji is depicted in Taoist philosophy rather than how it is rigidly defined.
For this reason, while it cannot be stated with absolute certainty that the afterlife is Wuji, it is reasonable to interpret it as a Wuji-like or Wuji-symbolic state, consistent with the philosophical themes used throughout the narrative.
This interpretation becomes much stronger when considering explicit sources from the webtoon and the games.
Scan: Tam System Type
Systems such as Tam and Greed are described in their original form. The webtoon explains that this system is represented as Mugeuk (無極 / Wuji) itself, which can ultimately return to Mu (無 / nothingness).
Since the game was created by directly drawing upon the webtoon’s settings, all in-game configurations fundamentally reference the webtoon’s cosmology.
Another scan explicitly references:
Yin & Yang
Taiji (太極) & Wuji (無極)
Emptiness / Nothingness (허무)
Extinction / Nirvanic annihilation (적멸)
These are not vague metaphors. They show that Wuji and Taiji are explicitly acknowledged cosmological concepts within the setting in context.
When Tam, described as Mugeuk itself, consumes all things—including itself—and returns everything to Mu, this aligns perfectly with Wuji as a state of absolute potential rather than simple emptiness. In context, it makes sense that everything ultimately returns to Wuji itself.
Now let me explain the cosmology as a whole.
For this purpose, we will employ the framework of Taiji.
Taiji (太極), the “Supreme Ultimate” or “Supreme Pole,” represents the non-dual foundational principle from which all differentiation arises. It is not merely a physical construct, but the principle by which any distinction, polarity, or determination becomes possible. Wherever differentiation exists—whether physical, metaphysical, or conceptual—Taiji is present.
Within The God of High School, Taiji is shown to exist alongside Wuji, being involved to utterly nullify the Fundamental Forces of the Universe (the Forces of Nature); all creation punch (Infinity Punch). This establishes Taiji not as a local or limited force, but as a principle operating at the most fundamental level of the cosmology.
The totality of creation is described by the term SAMARAMANSANG, which translates to the totality of all existence or the myriad phenomena. Crucially, this term does not merely denote currently manifested physical reality, but all phenomena that arise through differentiation. Since Taiji governs differentiation itself, samaramansang logically includes all differentiated states that can arise from Taiji, not only those that are presently realized.
This interpretation is reinforced by narrative evidence showing that the world of GOH extends across possibilities themselves, as demonstrated through Dean’s interactions with future possibilities to the all logical possibilities of the scenario. Thus, existence in GOH is not restricted to a single realized world, but encompasses a broader field of possible configurations.
Wuji (無極), the “Limitless,” represents the undifferentiated state of absolute potential from which Taiji emerges. Wuji is devoid of polarity, distinction, or determination—it is neither being nor non-being, but the precondition for both. From Wuji, Taiji arises, and from Taiji, all differentiated phenomena—samaramansang—unfold.
Wuji’s presence in GOH is further supported by references to “Original Greed” (Tam), a being stated to consume all things, including itself, returning existence to 無 (Wu, nothingness)—the very character that constitutes the foundation of Wuji. And within the context it makes sense for everything returned to wuji itself, This aligns Wuji with a state of absolute potential rather than mere emptiness.
Therefore, samaramansang encompasses not only all manifested worlds, but the full domain of differentiated possibilities. In modern philosophical terms, this corresponds to logical space or the set of logically possible worlds, insofar as they are expressions of differentiation emerging from Taiji and grounded in the absolute potential of Wuji.
Due to the taiji being in the cosmological principle that encompasses the universe this would scale the samaramansang to all logically possible worlds etc.
Because differentiation exists in every logically possible world, and because Taiji is the principle governing differentiation itself, Samaramansang necessarily encompasses the full domain of differentiated possibilities grounded in Taiji. In modern philosophical terms, this corresponds to logical space or the set of logically possible worlds, insofar as they are expressions of differentiation emerging from Taiji and rooted in the absolute potential of Wuji.
It is crucial to clarify that Taiji itself is not differentiation. Taiji is the principle from which all dyadic modals arise—the law governing opposition, alternation, transformation, and distinction. Taiji is non-polar, just like Wuji; it gives rise to polarity but is not itself polarized.
Note:
This is the highest interpretation of the cosmology so it's solely on you whether you wanna use it or not
And also not just any character can be scaled to taiji let alone wuji only those who can affect the cosmological principle and who transcend those principal
Peace
1 day ago | [YT] | 26
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MORI
SCALING GOD OF HIGHSCHOOL COSMOLOGY PART 8
Cosmology is almost fully laid out.
In this part, I’ll explain some sections of the cosmology that are currently unscalable. At first, I considered leaving them unexplained, but it wouldn’t hurt to clarify them anyway.
Imaginary Realm
Scan 1:
이곳은 심상의 공간
외부와는 완전히 단절된 독립된 곳
Translation:
“This is a mental/imaginal space.
A completely independent place, entirely cut off from the outside world.”
In this realm, no time actually passes. We see this when Mubong enters and returns instantly, as if no moments had passed at all. While this is technically an assumption, it is highly likely given the context.
The realm exists within one’s mind, yet it is explicitly stated to be completely isolated from the outside world. This suggests that it does not operate under conventional space-time rules. Instead, it functions as a metaphysical space, constructed from fragments of memory rather than physical matter.
As for its scale, it is either Null or Outerversal.
I personally lean toward Null.
Afterlife
The afterlife is described as nothingness.
Scan:
그겁니다…
제가 이 세상에 남은 마지막 ‘탐(貪)’
제가 무(無)로 돌아가는 게 저의 마지막 역할…
쉬고 싶군요.
Translation:
“That’s it…
The last remaining ‘desire’ I have left in this world.
Returning to nothingness is my final role…
I want to rest.”
It is portrayed as a post-material state that is completely peaceful. In philosophy, “nothingness” refers to the absolute absence of anything: no existence, no matter, and not even space or time.
This scaling depends on whether one interprets this nothingness as being directly related to Wuji which the scan support as you seen the use of 無 or wuji first letter 'wu' the primordial nothingness.
If it is, then it would easily scale way higher than Outerversal, potentially reaching High Outerversal+, since Wuji is a nothingness which exists beyond all Dimensional hierarchy, space, and time or anything in general.
Naraka / Hell
There is not enough material or context provided for Naraka. Because of this, I am assuming it may be similar to the afterlife; however, this assumption is contradictory in itself.
Due to the lack of information, I’ve kept this realm at an Unknown tier.
6 days ago | [YT] | 27
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MORI
1 week ago | [YT] | 38
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MORI
What are your thoughts about people who abuse the same match up over and over again?
1 week ago | [YT] | 30
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MORI
SCALING GOF OF HIGHSCHOOL COSMOLOGY PART 7
Most of the cosmology has already been established, and I may finish it in a few more parts. For now, let’s begin with the timelines, or what is commonly referred to as the multiverse in other words.
Reality constantly branches into multiple worlds.
We know that every decision and even the smallest movement can alter future outcomes. This is clearly demonstrated during Mori’s fight with Kim Doo-sik, where possibilities visibly split every second, illustrating how timelines diverge continuously.
Scan 1:
행동수정 김두식 행동 선택 옵션 5가지로 변경
Translation:
Behavior modification Kim Doo-sik — Change action selection options to 5 types.
Scan 2:
개싸움이 되고나니 변수가 급격히 증가한다!
예지에 익숙지 않은 모두에게 과부하!
Translation:
Once it turns into a dogfight, the variables increase rapidly!
For those unaccustomed to foresight,
it’s an overload for everyone!
Scan 3:
나를 제외한 나머지는 변수를 미처 따라가지 못하고 있다!!
Translation:
Everyone except me is failing to keep up with the variables!!
Later, during his final battle with Mujin, Mori summons alternate versions of himself from different timelines. This directly confirms the existence of parallel realities.
While the exact size or scale of each universe is not explicitly stated, Mori notes that each summoned copy represents a version of himself that he could have become. Furthermore, each of these alternate realities retains the same fundamental structure: the same people exist, and the same general sequence of events unfolds, with only minor deviations.
Additionally, the story context explicitly references key concepts from modern physics,
Such as:
superposition
Schrödinger’s cat
the existence of multiple universes.
The multiverse is further reinforced and confirmed through the games, which are canon.
Scan: 뭐지?!
차원의 중첩?
단순한 중력파?
공간이 뒤틀린다.
Translation:
What the—?!
Dimensional superposition?
A mere gravitational wave?
Space is twisting.`
Within this framework, each version of Mori possesses its own history and sequence of events, differing only through small variations. Mori summons nine alternate versions of himself, but this clearly does not represent the full extent of the multiverse. This is further supported by the games, where numerous different characters are shown to originate from entirely separate dimensions.
To summarize, each alternate reality appears structurally similar to the main one, sharing consistent world rules and repeating core events with minor divergences. The main universe, including all of its realms, already functions as a small multiverse at minimum, as explained earlier.
Based on the existence of the Central Realm acting as a higher-dimensional structure within the main universe (which I have already demonstrated in previous posts), the cosmology can reasonably be scaled to at least 6D. If this higher-dimensional main universe contains multiple such multiverses, the structure would extend to 7D. Furthermore, when accounting for spatial multiplicity alongside a necessary temporal axis, often referred to as hypertime, this adds another dimensional layer.
This places the multiverse at 7–8 dimensions, due to its logical and ontological spatial structure, potentially reaching further into hyperversal levels—depending on whether one accepts the ontological status of the Heavenly Realm.
Previous part: youtube.com/post/Ugkxs2CaYmfwwho5cC-UzzIDjBfbdx6pd…
1 week ago (edited) | [YT] | 43
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MORI
Where you scale mori without Buddhism?
1 week ago | [YT] | 81
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MORI
SCALING GOD OF HIGHSCHOOL COSMOLOGY PART 6
Alright, so this time I’m going to talk about the Central Realm and the Dragon King Sanctuary.
First: the Central Realm
From what we know, all three main realms—the Human Realm, Sage Realm, and Divine Realm—are separate dimensions. They require specific portals or gates to connect, because otherwise it would be impossible for these realms to be linked through standard space. Only the presence of a higher dimension can separate multiple dimensions in this way.(According to vsbw)
For example, two universes (both being 3D spaces) can exist within a 4D spatial framework.
The Central Realm plays the same role by separating these realms, acting as a higher-dimensional space relative to the three main universes.
Scan: 좌표…
천계와 마계의 중간 공간…
Translation:
“Coordinate…
The space between Heaven and the Demon World…”
This would place the Central Realm at a bare minimum of 5D to 6D, since the Sage Realm and Divine Realm are already separated by at least 4D spacetime bare minimum and likely low multiversal as i explained in earlier parts.
If you also accept the ontology of the Heavenly Realm’s layered floors, then the Central Realm could be considered hyperversal—though that depends on you.
Now: the Dragon King’s Stomach / Ogre Sanctuary
This place is completely separated from the world in general—not just from standard spacetime, but from the entire Heavenly Realm itself.
Even visually, the structure of this sanctuary resembles the last seven floors of the Heavenly Realm, which implies two possibilities.
Either this sanctuary is completely beyond the perception of the gods on a higher-dimensional level—considering that no gods within the Heavenly Realm, including Odin (who can open gates to any place across different worlds, based on my interpretation of the gates in Odin’s library in divine realm), are able to access it—or this realm is equal to or higher than the Central Realm since it's separating it from the main 3 realms cosmology.
This would place it anywhere from 5D–6D up to hyperversal in scale(only if you believe in Ontology of the floors)
Previous part: youtube.com/post/UgkxIgRKXM_HXe68YN4Mg4rDRGcUTV7Kh…
Next part:
youtube.com/post/UgkxUijyoDKAD4FnuUT77zc1V-lJT108O…
1 week ago (edited) | [YT] | 25
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MORI
Suggestion series time again, drop your suggestion (please make sure there are fan arts or at least usable panels for the matchups)
1 week ago | [YT] | 44
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