Testing Spinosaurus animatronics on the set of Jurassic Park III

Testing the adult Stegosaurus' animatronic head for The Lost World: Jurassic Park (1997)

Assembling, testing, and fine-tuning baby Stegosaurus for The Lost World: Jurassic Park

Fine detailing the computer-milled foam Spinosaur for Jurassic Park 3 at Stan Winston Studio.

Testing Baby T-Rex Animatronics for The Lost World: Jurassic Park (1997)

Painting baby T-rexes at Stan Winston Studio for The Lost World: Jurassic Park

Carnotaurus sculpture by Paul Lewis, based on our How to Sculpt a Dinosaur course series

Testing Cycler setting, and what happens in the servo when the eyes go further than necessary

How to achieve the exploding head effect on a budget? | Trailer |

How to avoid an animatronic eye from being bug-eyed? Why does the eyelid go up & down with the eyes?

How to Use a Servo Tester and Manual Setting to Check Eye Movement

How and where to drill a hole into the eye for the eye-mechanism installation

Introduction to Hair Knotting: Simple Method to Moisture Hair Before Knitting into Lace

Introduction to Hair Knotting: How to Knit Hair into Lace

How to achieve seamless transition between prosthetic and skin

Draping a Puppet: Pick a fabric color that matches the feather color

Adjusting the position of the chin on the clay head sculpture #shorts

Draping a Puppet: Spandex Types and Which One to Choose #shorts

Alien Nation (1988) Behind the Scenes: Prosthetic Makeup Application and Testing #shorts

Behind the Scenes of Alien Nation (1988) #shorts

Alien Nation (1988): Finishing touches of William Harcourt's prosthetic makeup #shorts

How to Sculpt a Dinosaur: Wax Tool Types and How to Use Them

Painting translucent silicone pods for War of the Worlds (2005)

Testing pods containing growing alien embryos for War of the Worlds

Sculpting red weed for Rachel's character | War of the Worlds 2005 Behind the Scenes |

How to Sculpt a Dinosaur: The Smallest Sculpting Tool for Detailing Skin

Working on an Alien Tripod for War of the Worlds 2005 - Behind the Scenes at SWS

A short tour at SWS while working on the alien pods and red weed for War of the Worlds 2005

Painting the Tripod's "Mouth" for War of the Worlds (2005) #shorts

Painting Prosthetics with Createx Colors

How Science Can Help Create More Inclusive Makeup Products #STEAMstar

Hyperflesh visited the SWSCA Booth again at Monsterpalooza 2024

Behind the Effects Used for the T-850’s Deterioration in Terminator 3: Rise of the Machines

Painting the TX Terminatrix head for Terminator 3: Rise of the Machines

Terminator Makeup FX Part 2: Prep, Apply & Paint with Steve LaPorte TRAILER

Geoffrey, the animatronic giraffe that Stan Winston Studio made for a Toys R Us commercial.

Terminator Makeup FX Part 1: Cast, Rig & Prepaint PREVIEW

A HUGE Crocodile at Stan Winston Studio - Behind the Scenes of Lake Placid

Learn from Hollywood's Master FX Artists at SWSCA

Learn from Hollywood's top FX artists at SWSCA - What Our Students Say About Us

Learn Character Creation Online from Hollywood's Master FX Artists at SWSCA

Learn from Hollywood's Master FX Artists at SWSCA

Learn from Hollywood's top FX Artists at SWSCA - Testimonial from Alice Wright

Learn SFX Makeup Creation Online with SWSCA Experts - Testimonial from Katharine McManus

Learn Character Creation from Hollywood's top Practical FX artists - Testimonial from Aaron Merke

Learn from Hollywood's top FX artists at SWSCA - Testimonial from Chris Leon Platz

Learn Character Creation Online with SWSCA Experts - Testimonial from Joshua Skirbunt

Learn Character Creation Online with SWSCA Experts - Testimonial from Dan Chudzinski