Todd Howard - Omniscience

CRITICAL PATH—Don Daglow—What Will Players Tell Me in 20 Years

CRITICAL PATH—Don Daglow—Story vs Game Mechanic

CRITICAL PATH—Don Daglow—Unpredictable Game Systems

Critical Path—Fidelity—Clint Hocking Teaser

CRITICAL PATH—Don Daglow—The Gold Box Engine

Critical Path—Fidelity—Will Wright Teaser

CRITICAL PATH—Laralyn McWilliams—Scaling Development Costs

CRITICAL PATH—Ron Gilbert—The Argument for Touch and Mouse Controls

CRITICAL PATH—Josef Fares—Taking the Best Out of Each Person

CRITICAL PATH—Ron Gilbert—Rapid Iteration

CRITICAL PATH—Jill Murray—Writing from the Character’s Perspective

CRITICAL PATH—Laralyn McWilliams—Using Metrics in Game Design

CRITICAL PATH—Laralyn McWilliams—The Player’s Bill of Rights

CRITICAL PATH—Laralyn McWilliams—Minimum Viable Product and Design

CRITICAL PATH—Laralyn McWilliams—Games as Creative Outlets

CRITICAL PATH—Ron Gilbert—Puzzles Defining the Character

CRITICAL PATH—Josef Fares—Universal Language in Games

CRITICAL PATH—Laralyn McWilliams—Procedural Storytelling

CRITICAL PATH—Laralyn McWilliams—Self Expression in Leveling Systems

CRITICAL PATH—Laralyn McWilliams—Simplifying Control Systems

CRITICAL PATH—Damien Kieken—Using Audio for Player Feedback

CRITICAL PATH—Steve Gaynor—Indies Partnering with Publishers

CRITICAL PATH—Damien Kieken—Balancing Unconventional Multiplayer

CRITICAL PATH—Ron Gilbert—Understanding Who You’re Making Games For

CRITICAL PATH—Steve Gaynor—Is There One True Path

CRITICAL PATH—Patrick Plourde—Communicating Emotion with Art Style

CRITICAL PATH—Davey Wreden—Phases of Emotion

CRITICAL PATH—Don Daglow—Thousands of Small Experiences

CRITICAL PATH—Keiji Inafune—Rallying the Community in Crowdfunded Games

CRITICAL PATH—David Helgason—The Latent Value of Game Tech Hobbyists

CRITICAL PATH—Dean Takahashi—Origin of Virtual Goods

CRITICAL PATH—Cliff Bleszinski—Show Don't Tell

CRITICAL PATH—Keiji Inafune—Staying True to Your Concept

CRITICAL PATH—Dean Takahashi—Social Whales

CRITICAL PATH—Susan Wu—Internal Obstacles

CRITICAL PATH—Ken Levine—Start with Player Experience

CRITICAL PATH—Ray Muzyka Greg Zeschuk—Avatar

CRITICAL PATH—Tracy Fullerton—The Good Mystery

CRITICAL PATH—Bei Yang—Customers as Guests

Stig Asmussen - Story Structure

Chris Avellone - Natural Conversations

CRITICAL PATH—David Helgason—The Relative Health of the Game Industry

Chris Avellone - Moral Choice

Chris Hecker - The Word "Game"

Bagwell Wright - Designing and Directing

Wright Bagwell - Details vs Big Picture

Jens Anderson - The Whomp Document

Stig Asmussen - Focus Testing

Richard Hilleman - Game vs Sport

Ernest Adams - Importance of Fidelity

Ernest Adams - Winning and Losing

Jens Anderson - Discouraging Griefers

Stig Asmussen - I'm a graphics snob

Michael Condrey - Innovation vs Predictability

Wright Bagwell - Solid Prototypes

Wright Bagwell - Crafting New Experience

Jens Anderson - Creative Director's Role

Chris Avellone - Approaches to Flow

Jens Anderson - Fitting Story into MMOs